Here are some words and some (mainly excellent) music videos for you.
The above is the gorgeous video for the equally beautiful and gentle song “Omstart” by Cornelius. It is one of two things I saw three weeks ago at the British Film Institute which particularly caught my eye/ear. The other is this 1998 video, “Deadly Media” by Hexstatic:
Actually, that’s a lie; several other vids caught my eye/ear to a similar if lesser extent…
I’d gone to London to see Bash, to hear Alan Moore and Melinda Gebbie talk about Lost Girls at the V&A, and to go to Bash’s flat-warming party. On Sunday afternoon she had to work, so I was at a loose end and popped along to the National Film Theatre to catch j-star 08, “the latest and most inspiring music videos, motion graphics and shorts from some of japan’s finest moving image-makers and young talent” — part of the onedotzero_adventures in motion event taking place that weekend. I rather like shorts, and music videos, and the Japanese aspect promised an interesting time. While the results were mixed, I wasn’t disappointed.
On the way in, I noticed a “Holotronica” exhibit and, while scoffing at the hubris of an artist claiming to “devise” a term, and while unimpressed by the 3-d aspect of the display, I did rather enjoy the music playing as I walked past: the Hexstatic piece linked above. I thought it was a bit old-fashioned, but good for it — and of course now I see it’s 10 years old, so that makes sense. The use of vocal samples was reminscent of JMJ’s pioneering and wonderfully cheesy yet still compelling Zoolook (the video for which introduced a young me to the lovely word “Djibouti”), and the audio/video link made me think of Lasse Gjertsen’s modern classic Hyperactive.
The j-star show was very enjoyable, though a bit tedious in places. Many of the shorts were too long, and it was very very CGI heavy: only a few pieces weren’t entirely CG, and it often felt like it didn’t add anything, or wasn’t used imaginatively. The Cornelius video above was the standout exception, indeed the best thing in the show — thoughtful, subtle, and making the most of the total possibility of CG without just being a bunch of flashy effects. A number of other vids were just flashy effects (usually to some generic breakbeat music), a few were “in love with the underlying model” (exposing wireframes, etc., which is cute but ultimately empty) and some were cartoonish, and kinda fun but not soooo amusing. On reflection I think my enjoyment was often coloured by the music as well, of course. With that in mind, a few (non-exhaustive) comments…
Three of the pieces which weren’t totally CGI were excellent. Kosai Sekine’s video for Maledict Car by Jemapur used real world footage and imaginative symmetry to very good effect, I thought — and the music was great. K+Me’s Screaming Dance by Leonard de Leonard was very good fun and again had the advantage of a rather stonking tune. Finally, this Nike cosplay ad by Kan Eguchi is classic Japanese madness, and utterly awesome. The other vids with a substantial reality presence were Junji Kojima’s video for You-you-you by Polysics, which I quite enjoyed but didn’t find beautiful, and “Evening Before the Hangover” by Ichiro Sato, (I can’t find it online) of which I wrote “Alien disco, but so what?”. It was a cute joke, but basically dull.
Clear Skies In May by Tetsuo Suzuka was beautiful, imaginative, classical, and beautifully typographical. Well worth a look.
There were two 8-bit nostalgia trips, only one of which I enjoyed. Yosawya San by Tsuyoshi Hirooka & Yohei Ito was great: musically interesting, and a very cute video. Compared to the other (below), it seemed truer to the 8-bit gaming tradition, and with some really imaginative touches, perspective, etc. (Look out for the Go game on the TV screen.) The other, Hideyuki Tanaka’s video for Ram Rider’s hello_8 bit edition seemed more lego than 8-bit (in the video, anyway), and was about 2 minutes too long; I didn’t like the music though, which can’t have helped — although on reflection it was truer to the 8-bit tradition than the other offering, so there you go. Well, there it is: you might enjoy it, but I certainly didn’t.
On the cartoony side, it probably suffices to just mention Usavich – Beware of Dance — the first of three Usavich cartoons, and quite funny (I wrote “Tyres goes disco bunnies”, meaning Tyres from Spaced), but by the third I was really bored of them.
Afterwards, I took a saunter round the BFI, experienced and enjoyed The All-Seeing Eye (The Hardcore Techno Version) by Pierre Bismuth & Michel Gondry, and, wrote on a wall. I can’t remember the details of whose installation this was, but projected onto this wall/whiteboard was a cartoon view of a town, on which we were invited to draw “where you live” using the available coloured pens. I found a suitably rectangular collection of roads and drew a simple commutative diagram encapsulating commutativity of function application, which felt like as a good an explanation of where I live just now than anything else I could think of.
Then I went back to Bash’s and cooked a mighty vegetarian lasagna for the six of us there present.
To conclude: a great day (and weekend!), and one which made me think it might be worth living in London (for a while) after all.
In other news, I hear the American electorate did something right yesterday (or to put it another way…); unfortunately, at time of writing it remains unclear whether Californian voters have dropped the ball and approved Proposition 8. Sadly, it looks like they have, and Stephen Fry claims they have, but I suspect he’s responding to polls not actual results, as the latter don’t seem to have be announced yet. OTOH maybe there’s something about being a British National Treasure in the middle of nowhere in Madagascar that gives you prophetic powers. It’s looking like an increasingly near thing, so there’s hope yet.
Lots of things have been happening to me outside of computers lately, which is one of the main reasons I haven’t written anything here. I suppose Facebook has also been pressing my online contact buttons. Anyway, here’s one of those things.
Yesterday, I had my first experience of something called Five Rhythms dance. It’s hard to describe, but in short, you might say it’s moving meditation, set to music (ordinary, popular music, though thoughtfully chosen and sequenced), journeying through five phases called flow, staccato, chaos, lyrical, and stillness. A complete sequence through all five is called a wave. Well, yesterday I was at an all-day workshop here in Swansea, with a theme of male/female balance, in which we went through three waves: two before lunch, flowing together seamlessly (or was it just one? it feels like it was two, but it is a blur, I admit!), and then another, slower (deeper?) wave in the afternoon.
I’m finding it quite hard to write about, because what I want to express, I can’t, really. I suppose I could say it was one of the most incredible experiences of my life, but that somehow sounds throwaway and doesn’t really capture it. It certainly feels like it’s going to have been a very significant experience – it’s definitely opened up some doors.
As someone who loves anyway to dance, and in particular rejoices at the moments when the music and the dance take you out of yourself, out of caring who’s watching, out of thought and out of the moment, well, I just loved it. It was easy and challenging, and familiar and surprising, hot and cold, fast and slow, I could go on…
I’d worried, in hearing about the process, that the music would be some half-baked new agey nonsense incapable of moving me. I was completely wrong – it was singularly excellent, including a number of pieces I recognised (Massive Attack’s Protection and Art Of Noise’s Close To the Edit are two staccato pieces I particularly remember), and much else new. The James Holden Remix of The Sky Was Pink by Nathan Fake (as I found out afterwards) was where it hit the peak to me, at the start of chaos in the final wave. You can hear it on Youtube, but you’ll have to imagine satisfactory bass and a transcendent mental state, I feel. (I’ve just bought it on Juno — my first paid-for music download evah!)
I’m feeling very different after yesterday, about a number of things. If I had to pick one word it would be “calmer”, but it’s also a sense of being more centred, more accepting, more flowing, more connected and (frankly) more alive. A reinvigorated sense of connection with everyone and everything else – for which I’m sure I can largely thank the group, which was (trying not to sound too much of a hippy, if that’s not too late) just utterly welcoming, safe, nurturing, open, opening. If the purpose of the day was the explore male/female balance, it certainly worked for me. Gah, incredible and indescribable!
Though I have written many, words fail me. There we are.
If you want to find out more, and in particular if you’re in Wales and want to try it, here’s Alan Withers, the teacher (workshop dates here, and there are weekly classes in Swansea (clashes with Shiko, alas) and Cardiff). If it sounds at all interesting, I’d say go for it – only good things can happen.
Oh, PS: Shiko should be busking somewhere in Swansea town centre this Saturday, hopefully, as part of Oxjam. More details when I know them. Come gives us your ears and money!
Back in June 2003 I blogged about the truly wonderful Roy Orbison In Clingfilm stories – if you haven’t seen these yet I highly recommend a visit. Anyway, I’ve just noticed, returning for a long-overdue refresher, that there’s now also an interview with the author which is also not to be missed.
I am not aware of anyone seeing it as humour. I venture the occasional joke or puckish remark in my work as relief from the sensuality and romantic lyricism, and if people laugh that is nice, but I do not think my fans would class me as a humorist in the way that you would, say, Dan Brown.
I remember I read an interview with Gunter Grass just before my tome was delivered to the printers, and he talked of his forthcoming book and said that it was the best thing he had ever written, and I thought Oh no! Gunter Grass has had the idea to write a book on Roy in Clingfilm too! I will only be the Buzz Aldrin of this genre. And I can laugh with relief now as his book turned out to be some boring thing about the Nazis, but at the time this obsessed me, and I considered examining his dustbins and so forth to find out. Perhaps I should not admit this but I actually rang his agent of literature and pretended to be a reporter and asked ‘May I enquire, who are Herr Grass’s favourite musicians?’ but he only mentioned people like Rush and Hawkwind so I knew it was OK.
Wtf? Warrant issued for Richard Gere’s arrest in India following public kissing. Kissing on the cheek, mind you. An “obscene act”, apparently – it’s official!
Public displays of affection are still largely taboo in India, and protestors in Mumbai (Bombay) set fire to effigies of Gere following the incident.
Wtf? They burnt effigies of him? For a bit I wondered if the anger was directed solely at him. Apparently not.
… while protesters in other cities shouted “death to Shilpa Shetty”.
Here we have actual human beings, calling for the deaths of other actual human beings, because they kissed in public? Ye gods and little children, will the insanity of men never cease?